This will be your introduction to Cuban Salsa. We will start with the basic steps, at first in a line but soon you will be using what you have learned in the circle-formation known as a Rueda. We will quickly progress to passing followers from one leader to the next, to turns and to moves such as Vacilala, Casate, Sombrero, etc. In 2017, the International Rueda de Casino Multi Flash Mob drew 230 unique groups dancing Rueda de Casino. The differences between the Miami-style Rueda de Casino and the Cuban-style Rueda de Casino are stark, and these differences can be seen throughout the performances of the 230 groups that participated in 2017. Buffalo run casino entertainment schedule this week.
Rueda de Casino (rueda) is a type of salsaround dance, born from the Cuban dance casino.
History[edit]
Casino was developed in Havana, Cuba in the early 1950s. Casino traces its origin as a partner dance from Cuban Urban Son and Cuban Cha Cha Cha, fused with partner figures and turns adopted from the Cuban Mambo, Rumba Guaguancó and North American Jive. Casino is different than other types of Salsa dance styles because of its spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance; a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage. This is particularly true of African descended Cubans. Such improvisations might include extracts of rumba, dances for African deities (Orishas), the older popular dances such as Cha Cha Cha and Danzón as well as anything the dancer may feel.
Casino danced with multiple partners in a circular fashion emerged in 1956 under the name 'Rueda del Casino.' This dance was exclusively danced at the Club Casino Deportivo, but quickly spread to other clubs around the beachfronts and later to the capital. While the dance became popular so did the phrases 'vamos a hacer la rueda como en el Casino' (let's go dance 'rueda' like in the Casino) and 'vamos a hacer la rueda del Casino' (let's go dance 'rueda' of the Casino). Given the popularity of the music and dance, numerous Rueda de Casino dance groups appeared on the island made up of friends, family members, and professional dancers. At the end of the 1970s, Rueda de Casino groups became well-known through the popular TV show 'Para Bailar.'[1]
As a result of the Castro regime, many Cubans emigrated to the US, many to the Miami area. They took their culture with them, including various dishes, music and dancing. Rueda de Casino began to slowly make its way into the Miami salsa community during the Mariel boatlift,[2] and in the late 1980s and early 1990s it experienced an enormous explosion of popularity. However, the style of Rueda de Casino that became popular was a style somewhat different than its original form. Rene Gueits, founder of 'Salsa Lovers' in 1994, changed the Cuban-style Rueda de Casino and structured it.[3] Rene's style adapted the Rueda de Casino steps into a more 'disco-like' style, where the Cuban Urban Son, Cuban Cha Cha Cha, and Rumba Guaguancó were completely removed.[4]
From Miami, Rueda de Casino spread first to major U.S. metropolitan centers with large Hispanic populations and eventually to other cities, becoming a popular dance around the United States and the world.[5] Although the majority of the Rueda de Casino dancers have learned from the Miami-style Rueda de Casino syllabus and repertoire, many dancers from Cuba have been able to share the original version of the dance throughout the world, and most recently in the United States.
In 2014, the first International Rueda de Casino Multi Flash Mob took place in which people from 67 countries, including 199 cities, danced Rueda de Casino simultaneously.[6] In 2017, the International Rueda de Casino Multi Flash Mob drew 230 unique groups dancing Rueda de Casino. The differences between the Miami-style Rueda de Casino and the Cuban-style Rueda de Casino are stark, and these differences can be seen throughout the performances of the 230 groups that participated in 2017.
Description[edit]
Ronda De Casino Salsa Al
Pairs of dancers form a circle, with dance moves called out by one person, a caller (or 'líder' or 'cantante' in Spanish). Many moves have hand signs to complement the calls; these are useful in noisy venues, where spoken calls might not be easily heard. Most moves involve the swapping of partners, where the partners move around the circle to the next partner. The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect.
The names of the moves are mostly in Spanish, some in English (or Spanglish; e.g., 'un fly'). Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest. Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls. This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda. Many local variations of the calls can now be found. They can change from town-to-town or even from teacher-to-teacher. There are many different variations of moves in Rueda de Casino.
The circle will either start from 'al Medio' (normal closed hold with all the couples stepping in and out of the circle) or from Guapea (stepping forward on the inside foot and backward on the outside foot, tangent to the circle). Some of the most common moves in Rueda include: Dame, Enchufle, Vacila, and Sombrero. You can readily find an extensive list of Rueda de Casino moves in various websites.[7] There are different hand motions that the caller can signal in case one's voice cannot be heard over the loud music. For example, the hand signal for Sombrero is the caller tapping the top of his or her head.
Filmography[edit]
Rueda de Casino scenes may be seen in the movie Dance with Me and in the music video clip No me dejes de querer by Gloria Estefan. Rueda de casino dance may also be seen in the documentary film 'La Salsa Cubana.'
References[edit]
- ^http://www.mariaargeliavizcaino.com/m-FamosasParejasdeBailePopularCubano.html
- ^http://www.miamiherald.com/news/local/community/miami-dade/miami-stories/article131785764.html
- ^http://salsalovers.com/the-studio/
- ^http://www.miamiherald.com/news/local/community/miami-dade/miami-stories/article131785764.html
- ^http://www.salsagente.com/history-of-salsa-music-dance/#HistoryofSalsaRueda
- ^http://flashmob.dileque.si
- ^http://www.absolutesalsa.com
Ronda De Casino Salsa Con
Ronda De Casino Salsa Recipe
Description[edit]
Ronda De Casino Salsa Al
Pairs of dancers form a circle, with dance moves called out by one person, a caller (or 'líder' or 'cantante' in Spanish). Many moves have hand signs to complement the calls; these are useful in noisy venues, where spoken calls might not be easily heard. Most moves involve the swapping of partners, where the partners move around the circle to the next partner. The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect.
The names of the moves are mostly in Spanish, some in English (or Spanglish; e.g., 'un fly'). Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest. Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls. This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda. Many local variations of the calls can now be found. They can change from town-to-town or even from teacher-to-teacher. There are many different variations of moves in Rueda de Casino.
The circle will either start from 'al Medio' (normal closed hold with all the couples stepping in and out of the circle) or from Guapea (stepping forward on the inside foot and backward on the outside foot, tangent to the circle). Some of the most common moves in Rueda include: Dame, Enchufle, Vacila, and Sombrero. You can readily find an extensive list of Rueda de Casino moves in various websites.[7] There are different hand motions that the caller can signal in case one's voice cannot be heard over the loud music. For example, the hand signal for Sombrero is the caller tapping the top of his or her head.
Filmography[edit]
Rueda de Casino scenes may be seen in the movie Dance with Me and in the music video clip No me dejes de querer by Gloria Estefan. Rueda de casino dance may also be seen in the documentary film 'La Salsa Cubana.'
References[edit]
- ^http://www.mariaargeliavizcaino.com/m-FamosasParejasdeBailePopularCubano.html
- ^http://www.miamiherald.com/news/local/community/miami-dade/miami-stories/article131785764.html
- ^http://salsalovers.com/the-studio/
- ^http://www.miamiherald.com/news/local/community/miami-dade/miami-stories/article131785764.html
- ^http://www.salsagente.com/history-of-salsa-music-dance/#HistoryofSalsaRueda
- ^http://flashmob.dileque.si
- ^http://www.absolutesalsa.com
Ronda De Casino Salsa Con
Ronda De Casino Salsa Recipe
External links[edit]
Wikibooks has a book on the topic of: Rueda_de_Casino |
- (in English)'A Rueda Wiki including streaming flash videos, Spanish pronunciation guides, an English translation of the calls and much more.'
- (in English)Absolute Salsa - an extensive list of steps descriptions in English, Spanish and Italian
- (in Russian)'Rueda Calls & Descriptions'
- (in Spanish)'Historia de la Rueda de Casino y la Salsa en Cuba'
- (in English)'The Norwegian Rueda Standard includes a Reference to more than 100 Rueda Calls, Translations of Spanish Rueda Calls into English (and Norwegian), links to Videos on YouTube and more.'
STARTERS
Pa' al medio - Jockey step (touch step) 'to the center' (some do step-touch)
un flaco - Tighter circle (one bigger step to center on 1) 'a fat one'
un gorda - Looser circle (one bigger step to outside on 5) 'a skinny one'
saca al agua del pozo - Water from the well (dip to center on 1) 'take water from the well'
mas profundo - deeper
p'arriba - Go up (L forward, aka camina para delante aka tiempo de espana) 'upstream'
p'abajo - Go down (L backward, aka camina para atras) 'downstream'
tarro - New partner, guys go (L go under hand to next F) aka pegale un tarro 'pot'
dos tarros - Skip to new partner - guys go (L go to next 2nd F) aka pegale dos tarros
un tarro para las mujeres - from abajo movement, new partner, women go (F go to next L) 'taro by the women'
un tarro y mentira - Guys fake out (L under hand & return 2x8) 'tarro and lie'
tarro con mano - New partner guys, keep the hand (L goes under, but keeps partner #1 hand)
aka un tarro y no la sueltes aka tarro sin soltar 'tarro with the hand'
sueltela - Re-connect (CP with current partner) 'Get free'
muevete - Bigger steps 'move it'
una bulla - Yell (hey! 5) 'a rowdy noise'
slow bulla - Slow yell (start 5, rise to 'hey': 1)
suena la - Stomp (stomp 5) 'make a sound'
silencio - Silencio (shhh!:1)
TRANSITION(couples can easily dance independently once Dile Que No & Vuelta moves are mastered)
salsa - standard 'on 1' salsa breaks: Leaders left front, right back. Followers: Right back, left front)
al centro - To the center (from contra step, turn for 1, Leaders & Followers dance respective salsa steps)
la flor - 'flower 'aka rosa , all break to center un-partererd, with arms like a blooming flower
una nueva - 'a new one (partner)' Peculiar to our elementary version, before we have learned guapea
from al centro, a cross body lead with the hands, resuming al centro.
VAR: nueva dos, nueva tres, nueva cuatro, etc. Red rock casino slot tournament schedule.
una con una - Clap once and give me one (clap:7, break step, dile que no) 'one with one'
una con dos - Clap 2x and give me one (clap:78, break step, dile que no) 'one with two'
una con tres - Clap 3x and give me one (clap:78 1, break step, dile que no) 'one with three')
dos con dos - Clap 2x:78 and give me a 2nd 'two with two'
dile que no dos - From closed position, 2 cross body leads with same partner returning to starting point
vuelta hombres - Leader's CW turn on 123
vuelta mujeres - Folower's CW turn on 567
VAR: vueta lánguida - Leaders's Turn: 16 counts, Follower's Turn: 12 counts (ending with strong '1:)
VAR: vuelta doble - double turn, each 1/2 is 4 counts
VAR: la luna - after vuelta, continue to go around partner in 8 counts (moon goes around the earth).
revolución: Caller: 'Que Queremos?' Response: 'Liberdád!' (with fist in air)
(repeat 3x, then caller says, 'Por lo tanto, revolución!'
With cries of 'Ay! Ay!' etc, couples break away into independent units dancing how they wish.
Eventually, Caller returns to Pa' al medio with cry of 'Juntos!'
When everyone has returned, caller begins again with new rueda calls.
LEVEL ONE
contra - Contra step aka paso basico aka guapeando aka guapea 'elegant' )
leaders face downstream (CW), push breaks, L back left, forward right)
dile que no - cross body lead to guapeando, (bring R partner to L) 'tell her no'
dame - aka dame otra, new partner 'give me (a new one)' aka dame uno, aka dame otra
dame dos - Give me a 2nd (L walks 123 to 2nd new partner, then dile que no)
dame con los manos - 3 new ones (dame with hand connection, 3 in a row)
una con una - Clap once and give me one (clap:7, break step, dile que no) 'one with one'
una con dos - Clap 2x and give me one (clap:78, break step, dile que no) 'one with two'
una con tres - Clap 3x and give me one (clap:78 1, break step, dile que no) 'one with three')
dos con dos - Clap 2x:78 and give me a 2nd 'two with two'
enchufela (AKA enchufle) - in the door (inside turn, L: back walk walk, walk 123 to partner #2, break, dile que no)
enchufela doble - swinging doors (IT, OT, IT, then as above, L's all back breaks on these)
LEVEL TWO
para abajo - 'Back & forth' (F on L's Right 123, to center (Right Outside Partner) 567 - L: Salsa breaks, F: back breaks
enchufela no te lleges - in the door and stay
(IT, OT with no partner switch to dame or para abajo) 'plug it'
enchufela complicado - enchufla, then rope turns (he goes, then she goes), end with dile que no (same partner)
tiempo espana - enchufle, then arriba patterns from 'STARTERS' section at top
adios - Half pivot (1/2 couples turn, dame) 'goodbye'
adios con la hermana - adios 123, L's OT switch places 567,enchufela 123,
1/2 turn to CP 567, dile que no 123 567(same partner)
adios con la familia aka Prima Con la Famili a(start with adios con la hermana ,
but link arms on 567 instead of bring her to L's R side, then do-si-do123 567 to dame 'goodbye with the family'
foto - Photo (click & freeze:1, exit with 'dame')
ni pa ti ni pa me - Two hands clap
(hand claps new & prev. partner, center: 7&3, new partner:1, 1st partner:5)
fly - Fly ball (leader's turn CCW and all clap to next partner:1, as in pretending to catch a fly ball)
fly dos - 2 flies (2 claps to next partner:12) 'fly two'
chevaria - Twist (123, away, towards, away partner #1) 'fantastic'
pelota loca - from Al Centro( with push break guys, then girls)
12345678:stomp clap stomp clap stomp clap clap clap, then dame
sombrero - from guapea, SH to 2SH enchufela hands behind heads (like swing 'butterfly') then dile que no same partner